Anthem's lead producer, Ben Irving, and Dragon Age senior producer, Fernando Melo, have both decided to move on from the studio.
Published
, by
James Brightman
Apex Legends is primed for growth, as well. Digital net bookings now represent 76% of EA's business; analysts remain optimistic for EA's long-term prospects.
Published
, by
James Brightman
When Sea of Solitude was announced, Cornelia Geppert kept all but the theme secret, even in interviews. At E3 2019, we finally got our hands on what might be the summer's most emotional indie game.
Published
, by
Sarah LeBoeuf
CEO Andrew Wilson sat down exclusively with GameDaily at E3 2019 to talk about EA's mistakes, successes, what went wrong with Anthem (and how BioWare is prepared to fix it), and the future of his company and the industry.
Published
, by
Mike Futter
The publisher held its first Building Healthy Communities Summit during EA Play and has outlined measures it will take to combat bullying and toxicity.
Published
, by
James Brightman
EA's Matt Bilbey discusses the importance of indie developers, how the publisher leverages its talent to help smaller studios, and the company's plans to rebuild its EA Partners program.
Published
, by
Mike Futter
The company will give a combined $1 million to three nonprofits, along with inviting customers to donate to each charity. While the drive isn't particularly new, it demonstrates a growing interest in making games a more inclusive space.
Published
, by
Ana Valens
EA beat analyst expectations, but Anthem and Apex Legends weren't enough to recover EA's 'rebuilding year.'
Published
, by
Mike Futter
GameDaily spoke with Mike Blank, Senior Vice President and General Manager of Origin and EA Access, about the challenges of bringing the service to Sony's platform, EA's approach to data security and privacy, the numbers driving EA Access, and more.
Published
, by
Amanda Farough
According to Executive Producer Drew McCoy, Respawn is '100% committed to the long-term growth of Apex Legends,' with season two details coming at E3.
Published
, by
Sarah LeBoeuf
